A primary aim of this website is to construct a full digital archive of the full THESE ROOMS project that acts as a living legacy of the collaboration. This room seeks to describe and document the collaborative artistic process through the voices of David Bolger, Owen Boss, Louise Lowe and other core members of the creative team. Through images, sound, video and blog style posts, we hope to build a unique insight into the methodology and practice of the artists themselves from concept to staging and beyond.
THEY SAW RED is inspired by the Statement of MRS MARY McCARTNEY, wife of James McCartney from the FRAGMENT OF HISTORY containing the 38 female testimonies related to the North King Street Massacre on 28/29 April 1916.These images represent a visual interpretation of her journey and experience during her hostage situation in Mrs Lawless’s No 27 North King Street, following her arrival with her husband, maid servant and three week old child.The images take us on her journey from when she entered the house to the murder of her husband James, who was killed along with three other men.
Here are some lines from her statement that really stood out for me.
“I thought we might be safer there.”
“The military, who rushed in, were a savage brutal crew, a disgrace to mankind.”
“I was terrified, screamed, and was almost fainting with terror.”
“It was although we could not believe it, a last parting on this earth.”
“One of the soldiers was afterwards heard to say: The little man made a great struggle for his life and tried to throw himself out of the window: but we got him.”
One of the most effecting statements in this “Fragment of History” document is General Maxwell, who afterwards made the suf ciently candid and luminous statement in the “Daily Mail” with regard to the conduct of the troops under his command:…“Possibly some unfortunate incidents, which we should regret now, may have occurred… It is even possible, that under the horrors of this attack some of them ‘saw red’, that is the inevitable consequences of a rebellion of this kind…”
© Úna Kavanagh, September 2016